Tuesday 11 February 2020

Thinking Activity: Unit - 3 CS in practice: Hamlet and To coy his Mistress



Hello Guys,


Welcome to my blog, which is based on the the Hamlet and To coy his Mistress as a part of cultural Studies. As how the Marginalised people have to suffer a lot from the upper class and the Elite culture never talked about the poverty and the social problems as it always be far from the circumstances.


If these two characters were marginalised in Hamlet they are even more so in stoppard's handling if Shakespeare marginalised the powerless in his own version of rosencrantz and guildenstern Stoppard has marginalised us all in an era when in the eyes of some all of us are Caught up in forces beyond our control.



The reality of power reflective of Shakespeare's time might be in another time and it reflects a radically different Worldview. Rosencrantz and Guildenstern denstern were resuscitated by Tom stoppard in a fascinating re-seeing of existence for its lack.  In stoppard's version. They are even more obviously two ineffectual pawns, Seeking constantly to know who they are, why they are here, why they are here, where they are going. Whether they "are" at all may be the ultimate question of this modern play. 


In "Rosencrantz and Guildenstern Are Dead" Stoppard has given the contemporary audience a play that examines existential questions in the context of a whole world that may have no meaning at all. Although it is not our intention to examine that play in great detail, suffice it to not that

the essence of marginalization is here in this view, Rosencrantz and Guildenstern are Archetypal  human beings caught up on a ship and spaceship Earth for the 20th or the 21st century
that leads nowhere expected to Death  person who are already dead. If these two characters were pard's handling. 


If Shakespeare  Marginalized the powerless in his own version of Rosencrantz and Guildenstern, Stoppard has marginalized us all in an Era when in the eyes of some all of us are caught up  in forces beyond our control. 


In other words a cultural and historical view that was Shakespeare's is a radically reworked to reflect a cultural and philosophical view of another time Our own.


if the philosophical view of Stoppard goes too far for some considered a much more mundane phenomenon of the allude to the Rosencrantz and Guildenstern, the little people, who have been caught up in the corporate downsizing and mergers in recent decades the effect on this workers when multiple national companions move factories and offices around the world like pawns on a chessboard power it is capital.


Weather in Shakespeare's version or Stoppard's Rosencrantz and Guildenstern are more than what rosencrantz called a "small and annexment", a "Petty consequence", mere nothing for the "Messy wheel of Kings".


The poem "To coy his mistress" tells us a lot about the speaker, the listener and also the Audience for whom it is written. But what does he not show? As he selects this rich and multifarious, allusions what does he ignore from his culture?



Here is given the example of  "To coy his mistress" in the speaker might appear to be  the culture and the era of the speaker, his lady and his implied reader. so the the narrative of a poem which is perhaps not connected with daily life, but it belongs to higher class and the materialistic things. Follows a rich personality, which is far away from poverty and other social problems. 

These rich and multifarious illusions, what does he ignore from his culture in that way is clear that does not think of poverty the demographics and social economic details of which would show how fortune his circumstances.

For example during this era at least one quarter of the European population was below the poverty line. Nor does the speaker think of disease as a daily reality that you might face to be show or in the second and especially in the third stanza eludes to future that and dissolution. His queen for present place worms and marble vaults and Ashes are not present hence not yet real. 


 In short , it considered historical reality a dimension that the poem ignored considered is real and present disease what has been called the chronic morbidity of the population. What was the reality? That the speaker chooses not to think about as he pushes death and the world to some distant time. The poem far from the disease was real in the middle of the seventeenth century and no ghost came from the world of the did to tell Marbles speakers about the real world and perhaps the speaker and his lady. Maybe to well and maybe that is why that real word is so truly Absent from the poem.

🌕👇Exaample:-

Journal of the Plague year



The curious Can get a sense of the lived Experience by reading Daniel defoe's journal of the Plague year 1722 is an imaginative creation of what it was like.



Alice in Wonderland by Lewis Carroll


In the story has various adventures of the main character, Alice, in a fictitious land full of incredible creatures and events. Alice has to go through certain magical experiences in the wonderland. According to the story, one day, while reading a book0, Alice grows bored, and notices a white rabbit. She follows the rabbit when it goes into a hole in the ground.


When peeping through the hole, Alice loses her balance and falls in. She floats down slowly into the hole, and observes everything around her. Then Alice enters Wonderland, where she witnesses a number of weird things.  This entire magical tale is fabricated and imaginary, which makes it a good to enjoy. Which doesn't give the reality and the social issues which all have to face.

ðŸĪ— Thank you ......

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